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JACOPO TINTORETTO, Portrait of Tommaso Rangone, c. (?)1555–6
JACOPO TINTORETTO, Portrait of Tommaso Rangone, c. (?)1555–6
JACOPO TINTORETTO, Portrait of Tommaso Rangone, c. (?)1555–6
JACOPO TINTORETTO, Portrait of Tommaso Rangone, c. (?)1555–6
JACOPO TINTORETTO, Portrait of Tommaso Rangone, c. (?)1555–6

JACOPO TINTORETTO

Portrait of Tommaso Rangone, c. (?)1555–6
Oil on canvas
108 x 94.6 cm
42 1/2 x 37 1/4 in
Copyright The Artist
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View Factsheet

Click here to view a 3D scan of the present work
View Factsheet

Click here to view a 3D scan of the present work

Provenance

Probably, the collection of Tommaso Rangone (1493–1577), Venice, and perhaps listed in his will, drawn up a month before he died in September 1577, as ‘imago mea Tintoreti tyanea’ (see E. Weddigen, ‘Thomas Philologus Ravennas: Gelehrter, Wohltäter and Mäzen’, in Saggi e memorie di storia dell’arte, 9, 1974, p. 52);

Count Melzi d’Eril;

Marchese Zaccaria, Milan;

With Jacob M. Heimann, New York, by 1940;

Anne R. and Amy Putnam, San Diego;

By whom gifted to the Fine Arts Gallery, San Diego, 1950 (inv. no. 1950.113);

By whom sold, Sotheby’s, New York, 11 June 2020, lot 1 (as attributed to Tintoretto and workshop), where acquired by the present owner.

Exhibitions

New York, Corona Park, World's Fair, 1939–40;

Toledo, Toledo Museum of Art, Four Centuries of Venetian Painting, March 1940, no. 58 (as a portrait of Tommaso Rangone);

Detroit, The Detroit Institute of Arts, Masterpieces of Art from European and American Collections, 1 April–31 May 1941, no. 56.

Literature

A. Venturi, 'Per il Tintoretto', L’Arte, 40, October 1937, pp. 322–3;

H. Tietze, Four Centuries of Venetian Painting, exh. cat., Toledo, 1940, cat. no. 58;

E. P. Richardson, Masterpieces of Art from European and American Collections, exh. cat., Detroit, 1941, p. 21, cat. no. 56;

A. Millier, 'San Diego Re-opens Fine Art Academy in Beautiful Balboa Park', Art Digest, 22.7, 1 January 1948, p. 9;

J. D. Morse, Old Masters in America, New York, 1955, p. 160;

The Fine Arts Gallery of San Diego Catalogue, San Diego, 1960, p. 69;

B. B. Fredericksen, Census of Pre-Nineteenth Century Italian Paintings, Cambridge, 1972, pp. 201, 520, 632 (as follower of Jacopo Tintoretto);

E. Weddigen, ‘Thomas Philologus Ravennas: Gelehrter, Wohltäter and Mäzen’, in Saggi e memorie di storia dell’arte, 9, 1974, pp. 7–76 (p. 52);

J. Marciari, Italian, Spanish, and French Paintings before 1850 in the San Diego Museum of Art, San Diego, 2015, pp. 187–9, no. 37, reproduced (dated c.1577, as a late workshop follower of Tintoretto).

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