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Artworks
MICHELANGELO DI LODOVICO BUONARROTI SIMONI
Mural Fragment of a Male Nude in Three-Quarter Length (Triton or Satyr), c. 1503-1504Charcoal, partly applied wet with the tip of a brush, on rough, very porous plaster (a stacco, or removal from a wall, and mounted on secondary support)94 × 135.5 cm;
37 × 53 3/8 in.Provenance
Mural drawing in situ since its making at Villa Michelangiolo, Settignano, c. 1503;
detached from the wall, 1979;
Private collection, Florence.Exhibitions
Rome, Musei Capitolini, Michelangelo 1564-2014, 27 May 2014 – 14 September 2014.
New York, The Metropolitan Museum of Art, Michelangelo: Divine Draftsman & Designer, 13November 13 2017 – 12 February 2018, no. 37.Literature
B. Montfaucon, Diarum italicum sive monumentorum veterum, bibliothecarum, musoeorum, & c., Paris 1702, p. 352;
A. Francesco Gori, in Vita di Michelagnolo Buonarroti: Pittore, scultore, architetto e gentiluomo fiorentino, A. Condivi (ed), Second edition, Firenze 1746, p. 99;
G. Vasari, Vite de’ piu eccellenti pittori, scultori e architetti, G. Gaetano Bottari (ed), Roma 1760, vol. 3, p. 349;
E.R. Eastlake, Journals and Correspondence of Lady Eastlake, London 1895, pp. 104-5;
H. Thode, Michelangelo: Kritische Untersuchungen über seine Werke, Berlin 1908, vol. 1, p. 5, no. 1;
B. Berenson, The Drawings of the Florentine Painters, Chicago 1938, p. 174, no. 1462A;
L. Dussler, Die Zeichnungen des Michelangelo: Kritischer Katalog, Berlin 1959, p. 194, no. 359A;
C. Tonlay, Corpus dei disegni di Michelangelo, Novara 1975-80, vol. 1, pp. 30-31, no. 2;
A. Prater, “Der ‘Triton’ von Settignano und Michelangelos Stilwandel von 1501/4,” in Festschrift Wolfgang Braunfels, F. Piel and J. Traeger (eds), Tübingen 1977, pp. 297-313;
G. Bonsanti, in Il primato del disegno, P. Tofani (ed), exh. cat., Firenze 1980, p. 143, no. 301;
C. Elam, “The Mural Drawings in Michelangelo’s New Sacristy,” in Burlington Magazine, no. 943, 1981, p. 593; G.
Bonsanti, “The Mural Drawings in Michelangelo’s
New Sacristy,” in Burlington Magazine, no. 948,
1982, p. 159; C. Sisi, Michelangelo e i maestri del
Quattrocento, exh. cat., Firenze 1985, pp. 25-26, no.
25; G. Bonsanti, in Firenze: Arte del Rinascimento e
restauro, exh. cat., Tokyo 1991, p. 104, no. 27; G.
Bonsanti, in The Genius of the Sculptor in
Michelangelo’s Work, P. C. Marani (ed), exh. cat.,
Montreal 1992, pp. 344-45, no. 78; M. Collareta,
“Intorno ai disegni murali della Sagrestia Nuova,”
in Smyth, 1992, pp. 173-75; G. Bonsanti, in
Giovinezza di Michelangelo, W.G. Brandt, Kathleen,
C. Acidini Luchinat, J.D. Draper, and N. Penny
(eds), exh. cat., Firenze 1999, pp. 220-21, no. 12; F.
Zöllner, C. Thoenes, and T. Pöpper, Michelangelo,
1475–1564: Complete Works, Cologne 2007, p. 755;
C.C. Bambach, “A Neglected Work by Michelangelo: The Fragment of a Mural Drawing at the Villa Michelangiolo in Settignano,” in Renaissance Studies in Honor of Joseph Connors, M. Israëls and L. A. Waldman (eds), Florence 2013,
vol. 1, pp. 333-46;
C.C. Bambach, “La ‘Virtu’ dei Disegni del Giovane Michelangelo”, in Michelangelo 1564-2014, exh. cat., Roma 2014, p. 54; C.C. Bambach, “Michelangelo Divine Draftsman & Designer”, exh. cat., New York 2018, p. 293, no. 37.
