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Decay of Beauty
9 October - 8 November, COLNAGHI LONDON

Decay of Beauty

Current viewing_room
  • THE DECAY OF BEAUTY. THE BEAUTY OF DECAY.

    Conceived and curated by Alfred Kren and Colnaghi

    Spanning millennia, the exhibition explores the tension between beauty and its inevitable decay, and how this has inspired artistic creation for thousands of years.  The subject is approached from a variety of periods, cultures, and media, presenting unusual dialogues between works.

     

    The exhibition explores the duality between decay and beauty in spirituality across the globe, with works from Hindu mythology, Tibetan and Japanese Buddhism, Christianity and the polytheistic beliefs of ancient cultures. It also looks at the interpretation of beauty - through portraiture or works depicting the human form - and decay - through the study of ruins, antiquity and the power of memory - across centuries and cultures. 

     

    The exhibition at Colnaghi benefits from several high-profile loans from prestigious private collections that allow visitors to view rare and outstanding artworks hardly ever seen in public. 

    • SARCOPHAGUS FACE Egyptian (Thebes), Third Intermediate Period, 22nd Dynasty, c.942-715 BC
      SARCOPHAGUS FACE

      Egyptian (Thebes), Third Intermediate Period, 22nd Dynasty, c.942-715 BC

    • EMILE BRUGSCH, THE MUMMY OF PRINCESS NESTANEBETISHERU, XXI DYNASTY
      EMILE BRUGSCH, THE MUMMY OF PRINCESS NESTANEBETISHERU, XXI DYNASTY

       

  • One of the sources of inspiration for the exhibition is the photograph of the recently excavated mummy of Princess Nestanebetisheru (Egyptian, 21st Dynasty) by Emile Brugsch (1842-1930), which at the time it was first published dramatically broadened our understanding of Egyptian funerary art, while unveiling some of its mysteries. In our exhibition, it is presented side by side with a stunning Sarcophagus face from the 22nd Dynasty, thus exemplifying the complex interconnexion between decay and beauty.
    • HEAD OF A BEARDED MAN, LIKELY ODYSSEUS Roman, 1st century BC- 1st century AD
      HEAD OF A BEARDED MAN, LIKELY ODYSSEUS

      Roman, 1st century BC- 1st century AD

    • sarcophagus cover Egyptian, Late Dynastic Period-early Ptolemaic Period, c.350-300 BC
      sarcophagus cover

      Egyptian, Late Dynastic Period-early Ptolemaic Period, c.350-300 BC

    • Statue of a Priest, Possibly the Priest of Min, Yuya, Father of Queen Tiy Egyptian, New Kingdom, 18th Dynasty, Reign of Amenhotep III, 1391-1353 B.C.
      Statue of a Priest, Possibly the Priest of Min, Yuya, Father of Queen Tiy

      Egyptian, New Kingdom, 18th Dynasty, Reign of Amenhotep III, 1391-1353 B.C.

    • Head of Hathor Egyptian,Third Intermediate Period, 21st-24th Dynasty, c.1069-715 BC
      Head of Hathor

      Egyptian,Third Intermediate Period, 21st-24th Dynasty, c.1069-715 BC

  • THE ART OF PORTRAITURE

    FROM ANCIENT ROME TO THE 20TH CENTURY
    • FERDINAND HODLER, Portrait of Clara Pasche-Battié, 1914
      FERDINAND HODLER, Portrait of Clara Pasche-Battié, 1914
    • AFTER JOHANN GOTTFRIED SCHADOW, Crown Princess Luise of Prussia, c. 1874
      AFTER JOHANN GOTTFRIED SCHADOW, Crown Princess Luise of Prussia, c. 1874
    • Head of a Young Man Roman Imperial, 2nd century AD
      Head of a Young Man

      Roman Imperial, 2nd century AD

    • HENRI MATISSE, Europe, 1947
      HENRI MATISSE, Europe, 1947
  • REINTERPRETING BEAUTY

    A JUXTAPOSITION OF WORKS FROM ANCIENT ROME TO THE 21ST CENTURY
    • CATHERINE MURPHY, HARRY'S NIPPLE, 2003
      CATHERINE MURPHY, HARRY'S NIPPLE, 2003
    • Statue of Asclepius Roman, c. 100-150 AD
      Statue of Asclepius

      Roman, c. 100-150 AD

    • MARIA LASSNIG, Blasser Nachtgeist (Pale Night-Spirit), c. 1990 - 1999
      MARIA LASSNIG, Blasser Nachtgeist (Pale Night-Spirit), c. 1990 - 1999
    • IGNACE HENRI JEAN THÉODORE FANTIN-LATOUR, Etude de femme
      IGNACE HENRI JEAN THÉODORE FANTIN-LATOUR, Etude de femme
    • JEAN FAUTRIER, FLEURS NOIRES, 1926
      JEAN FAUTRIER, FLEURS NOIRES, 1926
    • LEONARD TSUGUHARU FOUJITA, Jeune femme en peignoir
      LEONARD TSUGUHARU FOUJITA, Jeune femme en peignoir
    • SEBASTIANO RICCI, David with the head of Goliath
      SEBASTIANO RICCI, David with the head of Goliath
  • CREATION AND DESTRUCTION

    LOOKING TO THE PAST
    • CHARLES LEDRAY, BUTTONS, 2000-2002
      CHARLES LEDRAY, BUTTONS, 2000-2002
    • LOUIS-LEOPOLD BOILLY, Trompe-l'oeil, c. 1785-1788
      LOUIS-LEOPOLD BOILLY, Trompe-l'oeil, c. 1785-1788
    • CATHERINE MURPHY, SWEPT UP, 1999
      CATHERINE MURPHY, SWEPT UP, 1999
    • A pair of massive choir stalls brutally defaced with chisels and axes Central France, c. 1475
      A pair of massive choir stalls brutally defaced with chisels and axes

      Central France, c. 1475

    • HUBERT ROBERT, A capriccio of a villa surrounded by a moat, with a classical statue of a goddess to the left, 1797
      HUBERT ROBERT, A capriccio of a villa surrounded by a moat, with a classical statue of a goddess to the left, 1797
    • HUBERT ROBERT, A capriccio featuring ancient ruins, a fountain in the foreground, and a self-portrait of the artist at work, 1797
      HUBERT ROBERT, A capriccio featuring ancient ruins, a fountain in the foreground, and a self-portrait of the artist at work, 1797
  • "REMEMBER THAT YOU MUST DIE"

    MORTALITY VIEWED THROUGH THE PRISM OF CHRISTIANITY
    • JAN VERMEULEN, A Vanitas still life
      JAN VERMEULEN, A Vanitas still life
       
    • MARIA LASSNIG, Memento mori, 2002
      MARIA LASSNIG, Memento mori, 2002
    • LUIS DE MORALES, CALLED EL DIVINO, PIETA
      LUIS DE MORALES, CALLED EL DIVINO, PIETA
    • FRANS FRANCKEN THE YOUNGER, DEATH AND THE MISER
      FRANS FRANCKEN THE YOUNGER, DEATH AND THE MISER
    • andres deleito, STILL LIFE OF Skulls, c. 1650-1660
      andres deleito, STILL LIFE OF Skulls, c. 1650-1660
    • ANGELLO CAROSELLI, VANITAS
      ANGELLO CAROSELLI, VANITAS
    • GIOVANNI MARTINELLI, Death comes to the table of the miser, 1638
      GIOVANNI MARTINELLI, Death comes to the table of the miser, 1638
  • CHAMUNDA AND UMA

    BEAUTY AND DECAY IN HINDUISM
    • Head of Chamunda North-west India, Rajasthan, early 11th century
      Head of Chamunda

      North-west India, Rajasthan, early 11th century

    • Shivakami Uma Southern India, Tamil Nadu, Late Chola period, mid-12th century
      Shivakami Uma
      Southern India, Tamil Nadu, Late Chola period, mid-12th century
    • Architectural strut with figures beneath a flowering Sal Tree Nepal, Kathmandu Valley, late 15th-early 16th century
      Architectural strut with figures beneath a flowering Sal Tree

      Nepal, Kathmandu Valley, late 15th-early 16th century

    • Bust of Chamunda Central India, Madhya Pradesh, Chandela period, 10th century
      Bust of Chamunda

      Central India, Madhya Pradesh, Chandela period, 10th century

  • DECAY AND BEAUTY IN BUDDHISM

    WORKS OF ART FROM MONGOLIA, TIBET, JAPAN AND CHINA
    Emma-O Japan, Kamakura period, first quarter 13th century The theme as understood in Japanese Buddhism is represented by the powerful...

    Emma-O

    Japan, Kamakura period, first quarter 13th century
     
     

    The theme as understood in Japanese Buddhism is represented by the powerful sculpture of Emma-O, dating from the Kamakura period - a work of the utmost rarity and hardly ever seen outside of Japan. Representing the overlord of Hell, this awe-inspiring figure is confronted in the exhibition with a very impressive large Chinese scholar’s rock from the 17th to early 18th century, juxtaposing a commanding outward presence with the inward gaze of reflection.

    • Large Scholars Rock Taihu, China, 17th to early 18th century
      Large Scholars Rock

      Taihu, China, 17th to early 18th century

    • Citipati - dancing skeletons Mongolia, 19th century
      Citipati - dancing skeletons

      Mongolia, 19th century

    • Painted Kapala Tibet, 19th century
      Painted Kapala

      Tibet, 19th century

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